Try this experiment: Find a friend and tell him you’re going to tap out the rhythm of a famous song that everyone knows. Without telling him what the song is, tap out the notes for “God Bless America,” “Twinkle, Twinkle Little Star,” or “Happy Birthday to You.” No singing or humming along; just taps. Before you begin make a prediction: Do you think he’ll guess the song correctly based on your ability to tap it out?
Nearly 20 years ago, a Stanford graduate student named Elizabeth Newton did her dissertation in psychology on this simple game and discovered something remarkable. Given a list of 25 well-known songs to tap out, the listeners’ success rate was only 2.5 percent—one out of 40 attempts. However the tappers were so sure the listener would know the song, they predicted a 50% success rate.
Why the disconnect? In the experiment, the tapper hears the song in his or her mind and thinks it’s so obvious that the listener can’t possibly fail to understand it. The tapper mentally sings the words and hears the melody to “Twinkle, Twinkle Little Star” while the listener merely hears “tap tap tap tap tap tap tap.” The tapper can’t understand why the listener doesn’t get it; the listener gets frustrated that the tapper thinks he should. Chip Heath and Dan Heath describe the phenomenon in their book Made to Stick:
The problem is that tappers have been given knowledge (the song title) that makes it impossible for them to imagine what it’s like to lack that knowledge. When they’re tapping, they can’t imagine what it’s like for the listeners to hear isolated taps rather than a song. This is the Curse of Knowledge. Once we know something, we find it hard to imagine what it was like not to know it. Our knowledge has “cursed” us. And it becomes difficult for us to share our knowledge with others, because we can’t readily re-create our listeners’ state of mind.
As a listener, the task is hard because even though you are getting valid information, it’s incomplete. You’re not getting the whole song. Newton’s experiment offers as good a model as you’re likely to find as to why background knowledge is the key to reading comprehension— for struggling readers, what’s on the page is useful, but it’s not enough.
This is also one of the most difficult concepts to wrap your mind around. When you read, your background knowledge is the melody playing in your head. Like the tapper in the experiment, it’s impossible to forget what you know and force your mind NOT to make the connections that create understanding. Proficient readers hear the music, the lyrics, even a full orchestra. Students, especially those from low-income families or households lacking in enrichment, hear only tap, tap, tap, tap, tap tap.
The tapping experiment also shows why reading strategies don’t help. Try to determine the author’s (tapper’s) purpose. Tap, tap, tap. Can you find the main idea (melody)? Tap, tap, tap. When meaning breaks down, reread (relisten) for clarity. No matter what “strategy” you employ, if you don’t know the song, it still sounds like tap, tap, tap. Seen through this lens, reading strategies are worse than useless, only compounding the listener’s frustration. You might as well instruct students “don’t just listen to the tapping, try to hear the song in your head!” They can’t.
We all know background knowledge matters. As teachers, even devotees of strategy instruction tell students to “activate your prior knowledge” to aid in comprehension. However, we are assuming that there is background knowledge to activate. If we don’t teach the explicit content needed to guarantee comprehension, we are hearing the melody in our heads and refusing to share it.
Our students, on the other hand, hear only “tap tap tap tap tap tap.”

Children from troubled families perform “considerably worse” on standardized reading and mathematics tests and are much more likely to commit disciplinary infractions and be suspended than other students, according to a new study. Writing in 
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